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skullumbia:

Reblogging because of my ASkars.

how’d you get a picture of my future, internet?
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skullumbia:

Reblogging because of my ASkars.

how’d you get a picture of my future, internet?

Source: freebtx

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(via serarysoakheart)

Source: gangrelated

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(via serarysoakheart)

Source: Flickr / veintitres

  • 14 hours ago > no1canstopus
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i blame her for my shitty table manners.

(via loveisnothingmorethananaction)

Source: imteamkstew

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(via serarysoakheart)

Source: flickr.com

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skullumbia:

Darrylynn’s watching this for the first time as I type. I’d like to watch it again. Maybe tonight.

Lllllllloooooooved iiiiiit!

Source: peterporker

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skullumbia:

suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

My mind’s gonna be sore from that fucking it just took. JFC. I have to re-watch every Tarantino movie this weekend.

Include me!!!
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skullumbia:

suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography

By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.

Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.

This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:

As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

My mind’s gonna be sore from that fucking it just took. JFC. I have to re-watch every Tarantino movie this weekend.

Include me!!!

Source: suicideblonde

  • 1 day ago > suicideblonde
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(via serarysoakheart)

Source: 1100d

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Q:2, 7, 11, 14, 16, 24

noctishearttheprideful

2. Think of the last time you were REALLY angry. WHY were you angry? Do you still feel the same way?

the last time I was truly angry, and every time for that matter, it has been about a human rights issue and someone’s being violated. I will always feel anger for injustices such as these. It is the only times I lose my temper.

7. Would you rather be hurt by the one you trust the most or the one you love the most?

hmmmm. Most likely love. Because if the person I trust most hurt me, I could no longer trust them, whereas if the person I loved most hurt me, I would still love them. Less would be lost. The love would be quickly fixed, whereas the trust… would take far more time.

11. Does love = sex?

my least favorite of these. dumb question. no. obviously.

16. Excluding romantic love, when was the last time you told someone you loved them. Who were they to you?

Bryce. This evening. He has been my best friend and a part of who I am since I was five. I haven’t spoken with him much recently, but our bond can never fade.

24.Which would you choose, true love with a guarantee of a broken heart, or never loved at all? Why?

broken heart. easy one. for I can feel both love, which is an incredible thing, AND have that incredible depression that makes everything so much more real. which is far better than the melancholy that is everyday life.

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I love shit like this. Want to know what goes on in my head?

  • 1. What is more difficult for you, looking into someones eyes when you are telling someone how you feel, or looking into someones eyes when they are telling you how they feel?
  • 2. Think of the last time you were REALLY angry. WHY were you angry? Do you still feel the same way?
  • 3. You are on a flight from Honolulu to Chicago non-stop. There is a fire in the back of the plane. You have enough time to make ONE phone call. Who do you call? What do you tell them?
  • 4. You are at the doctor’s office and he has just informed you that you have approximately one month to live. Do you tell anyone/everyone you are going to die? What do you do with your remaining days? Would you be afraid?
  • 5. You can have one of the following two things. Which do you choose? Why? Love and Trust.
  • 6. You are walking down the street on your way to work. There is a dog drowning in the canal on the side of the street. Your boss has told you if you are late even once more, you are fired. Do you take the time to save the dogs life? Why or Why not?
  • 7. Would you rather be hurt by the one you trust the most or the one you love the most?
  • 8. Your best friend confesses that he/she has feelings for you more than just friendship. He/she is falling in love with you. What do you (or did you) do/say?
  • 9. Think of the last person who you know that died. You have the chance to give them 1 hour of life back, but you have to give up one year of yours. Do you do it? Why or Why not?
  • 10. Are you the kind of friend that you would want to have as a friend?
  • 11. Does love = sex?
  • 12.Your boss tells your coworker that they have to let them go because of work shortage, and they are the newest employee. You have been there much longer. Your coworker has a family to support and no other means of income. Do you go to your boss and offer to leave the company? Why or Why not?
  • 13.When was the last time you told someone HONESTLY how you felt regardless of how difficult it was for you to say? Who was it? What did you have to tell the person?
  • 14. What would be (or what was) harder for you to tell a member of the opposite sex, you love them or that you do not love them back?
  • 15. What do you think would be the hardest thing for you to give up? Why would it be hard to lose?
  • 16. Excluding romantic love, when was the last time you told someone you loved them. Who were they to you?
  • 17. If there was one moment and one time in the last month what would you change and why?
  • 18.Imagine it is a dark night, you are alone, it is raining outside, you hear someone walking around outside your window. WHO do you wish was there with you?
  • 19. Would you give a homeless person CPR if they were dying? Why or Why not?
  • 21.You are holding onto your grandmother’s hand and the hand of a newborn that you do not know as they hang over the edge of a cliff. You have to let one go to save the other. Who do you let fall to their death? What was your rationale for making the decision?
  • 22. Are you old fashioned?
  • 23. When was the last time you were nice to someone and did NOT expect anything in return for it?
  • 24.Which would you choose, true love with a guarantee of a broken heart, or never loved at all? Why?
  • 25.If you could do anything or wish anything, what would it be?

Source: kylegeraghty

  • 1 day ago > kylegeraghty
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rooneymara-daily:

I LOVE HER MORE THAN WORDS CAN DESCRIBE 

ugh. she’s great.

(via loveisnothingmorethananaction)

Source: daltdisney

  • 1 day ago > daltdisney
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i chase these feelings of infinite.
those moments of clarity when you see the world through all the bullshit,
the television finales,
the social dramas,
the commercials,
and the day to day ‘duties’ of every day life.

when you know what matters and where you want to be.
when i finally reach one of those moments, i cling to it for as long as I can.

but in the end, they always slip away and I am caught back up again.

I dream of one day living a life where that feeling, that moment, is every moment.

  • 1 day ago
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beautiful.
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beautiful.

(via partialknowledge)

Source: cordisre

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suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

holy. shit.
View Separately

suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography

By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.

Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.

This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:

As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

holy. shit.

(via loveisnothingmorethananaction)

Source: suicideblonde

  • 1 day ago > suicideblonde
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One of the things I love most about living in a basement is how I never know what time it is unless I actively seek to find out.

hours or minutes may have passed, I am never sure which. My body tells me when it is time to sleep or read or watch tv or eat.

also no light gets in. i live in a cave, i am a vampire.

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About

Avatar this is the place i rant about the shit that goes on in my head.
sex. movies. books. music. comics. cats. attractive people. clever things that i covet. you know, the ushe.

Other shit I like.

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    STEFANI!!!! THIS ONE IS FOR YOU!

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    Photoset via skullumbia
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    I miss my nose piercing so I’m going to do that next weekend.

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